Ceramic Firing Alternatives to Electric Kilns

Abstract

This project is intended to experience traditional ceramic firing methods. Most ceramic artists today rely on electric kilns that are able to self-regulate and provide more predictable, consistent results. This research is meant to reintroduce traditional art techniques to maintain the unexpected results of historical pottery. Through collaboration with several local artists as well as research into traditions of potters throughout time, I have collected information on the processes required for several methods of firing. With this research, I hope to apply the methods to my own pottery. Documentation of the process along with sets of similar ceramic forms allows me to record the variations produced within each firing. I have experimented with pit-firing and completed a set of works that utilize a gas kiln. I hope to reinstate the unpredictable, unique results of less regulated firing methods.