Ideologies of authenticity and progress in jazz criticism

dc.contributor.author	Burke, Patrick
dc.date.accessioned	2009-06-03T16:01:53Z
dc.date.available	2009-06-03T16:01:53Z
dc.date.issued	1999
dc.identifier.uri	http://digital.library.wisc.edu/1793/34891
dc.description	ii, 88 leaves : 29 cm.	en
dc.description.abstract	Contents include: the 1930s and 1940s - authenticity and notions of the primitive, the 1950s and 1960s - the "new critics" and standards of progress, and African-American critics from the 1960s to the 1990s - authenticity and the black aesthetic.	en
dc.language.iso	en_US	en
dc.title	Ideologies of authenticity and progress in jazz criticism	en
dc.type	Thesis	en
thesis.degree.discipline	Ethnomusicology	en